The Sunset TC is a unique hybrid design that incorporates the look and features of two types of iconic solidbody electric guitars. The combination of twangy bridge pickup with fat soapbar type neck pickup produces a wealth of classic sounds ideal for classic rock, blues, country, pop, and funk, making it a simple yet versatile instrument for the roots-oriented player. The newly added redesigned multi-ply black pickguard as well as the distinct multi-block fingerboard inlays makes adequate addition to the vintage vibe that the Sunset TC already possesses.
Also available in Burgundy Red!
Features
Ash Body
Ash is one of the most popular and widely-used woods for solid-body electric guitars and basses. It is light weight but has a surprisingly strong, tight and punchy sound with emphasis on the high-midrange. This character makes Ash a beloved tonewood of discriminating guitarists who want a strong fundamental tone that will cut through and be heard clearly in the mix. The natural beauty of Ash with its distinctive grain patterns make it ideal for transparent and natural finishes.
Hard Maple Neck with Jatoba Fingerboard
The contrasting combination of warmth from the Jatoba fretboard and solid brightness from the Maple neck produces a balanced tone with mid-high accents when combined the Ash body.
Cort® Voiced Tone VT90 & Duncan Designed TE-103B
To get that authentic T-style twang and P90-style bark, the Cort developed Voiced Tone VT90 and Duncan Designed TE-103B pickups are installed for a myriad of sounds ideal for roots-oriented musical genres and styles. The TE-103B features a stacked coil design for hum-free operation even with raging overdrive sounds.
1 Volume & 1 Tone
3 Way Pickup Selector
Sometimes simplicity is all that a player needs to get the musical point across. One volume pot and one tone pot with 3-pickup selector keeps it clean and simple and allows the player to focus on the music.
Vintage Style Fixed Bridge
The fixed bridge with vintage styled saddles ensures superb tuning stability and long sustain.
